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Like, for The Devil’s Rejects, we did a little bit of box office, but crazy big on DVD. One of the big things hitting horror is the death of DVD. "One of the big things hitting horror is the death of DVD. It was extremely helpful to get it off the ground, but it wasn’t everything. We did some crowdfunding for 31 but, unfortunately, we couldn’t do the whole movie that way. The business has changed so much in the short amount of time I’ve been in it, and it’s changed in a way where it’s not easy to make films. NFS: Getting the green light is tough, especially in horror. Then all of a sudden, you’re like, 'Wait a minute, it’s been two years and we still haven’t made a movie yet.' That’s my only goal-to get it going. It’s so easy to take meetings and talk and develop and take more meetings. Rob Zombie: I obviously learned a lot, but the main takeaway is to get the film made, as stupid as that sounds. No Film School: It’s been over 10 years since House of 1000 Corpses. No Film School caught up with Zombie about how the horror genre has changed, his love of the ’70s, and his filmmaking process while on tour with his latest album, The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser. "She's in the back of a bathroom stall with her impending death knocking on the door, but for us on set, it’s her reacting to nothing but a camera in her face and me saying, 'Look left, look right.'" Held hostage, they must play a twisted game and survive the next 12 hours against a band of murderous maniacs, comprised of chainsaw-wielding brothers (David Ury, Lew Temple) and a bloodthirsty homicidal clown (Richard Brake). Rob Zombie’s latest horror film 31 does just that, detailing a gruesome nightmare suffered by five carnival workers after they’re abducted by psychos the night before Halloween.
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If you’re a fan, you want a story that crawls under your skin and gets in your face -one that deprives you of sleep and pushes your tolerance for chaos and massacre. There’s more to horror than the jump scare.
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The rock-auteur Rob Zombie helms his eighth feature film.